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Keynote: Difference between revisions
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| [[Casimir Poseidon]] | | [[Casimir Poseidon]] | ||
| “Students can amplify his radiation by playing the music of | | “Students can amplify his radiation by playing the music of ‘Indian Love Call.’” | ||
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| [[Clara Louise]] | | [[Clara Louise]] | ||
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| [[El Morya]] | | [[El Morya]] | ||
| “Pomp and | | “Pomp and Circumstance,” by Edward Elgar]] | ||
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| [[Archangel Gabriel]] | | [[Archangel Gabriel]] | ||
| Intermezzo from ''Cavalleria Rusticana'', by Pietro Mascagni | | Intermezzo from ''Cavalleria Rusticana'', by [[Pietro Mascagni]] | ||
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| [[Gautama Buddha]] | | [[Gautama Buddha]] | ||
| “Moonlight and Roses.” “The ‘Ode to Joy’ from | | “Moonlight and Roses.” “The ‘Ode to Joy’ from [[Beethoven]]’s Ninth Symphony also gives us direct attunement with the [[Lord of the World]].” | ||
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| [[Great Divine Director]] | | [[Great Divine Director]] | ||
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| [[Paul the Venetian]] | | [[Paul the Venetian]] | ||
| “I Love You Truly,” by Carrie Jacobs-Bond | | “I Love You Truly,” by [[Carrie Jacobs-Bond]] | ||
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| [[Portia]] | | [[Portia]] | ||
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| [[Saint Germain]] | | [[Saint Germain]] | ||
| Hungarian Rhapsody #15 by Liszt (“Rakoczy March”). Saint Germain: “You have heard in this piece that bears the flame of my heart that very formula of the violet flame.”<ref>Saint Germain, March 15, 1981.</ref> | | Hungarian Rhapsody #15 by Liszt (“Rakoczy March”). [[Saint Germain]]: “You have heard in this piece that bears the flame of my heart that very formula of the violet flame.”<ref>Saint Germain, March 15, 1981.</ref> | ||
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| [[Sanat Kumara]] | | [[Sanat Kumara]] | ||
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| [[Temple of Faith and Protection]] | | [[Temple of Faith and Protection]] | ||
| “Soldiers’ Chorus” from ''Faust'', by Charles Gounod | | “Soldiers’ Chorus” from ''Faust'', by [[Charles Gounod]] | ||
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| [[Temple of Illumination]] | | [[Temple of Illumination]] | ||
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| The ascension flame | | The ascension flame | ||
| “Triumphal March” from ''Aïda'', by Giuseppi Verdi | | “Triumphal March” from ''Aïda'', by [[Giuseppi Verdi]] | ||
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