Serapis Bey/es: Difference between revisions

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Created page with "Serapis Bey estuvo encarnado como el escultor Fidias, durante el siglo V a.C., en Atenas. Estaba considerado como el mayor de todos los escultores griegos. Fue el arquitecto d..."

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 [[File:1200px-1868 Lawrence Alma-Tadema - Phidias Showing the Frieze of the Parthenon to his Friends.jpg|thumb|upright=1.4|alt=caption|''Phidias Showing the Frieze of the Parthenon to his Friends'', Lawrence Alma-Tadema (1868)]]
-Serapis Bey was embodied as the sculptor Phidias during the fifth century <small>B</small>.<small>C</small>. in Athens. He was regarded as the greatest of all the Greek sculptors. He was the architect of the Parthenon, supervising its exquisitely masterful construction. Within the Parthenon he placed his most famous work, the forty-foot high statue in gold and ivory of [[Pallas Athena]], the representation of the Mother figure, the Goddess of Truth.
+Serapis Bey estuvo encarnado como el escultor Fidias, durante el siglo V a.C., en Atenas. Estaba considerado como el mayor de todos los escultores griegos. Fue el arquitecto del Partenón, supervisando su exquisita construcción maestra. En el Partenón colocó su obra más famosa, la estatua de cuarenta pies de oro y marfil de [[Special:Myanguage/Pallas Athena|Palas Atenea]], la representación de la figura de la Madre, la Diosa de la Verdad.
 Standing in the Parthenon, one stands in the presence of a piece of architecture that is designed by an individual who knows how to use form, symmetry, geometry, angles for the housing of a flame. The forcefield of the Parthenon does contain an essential flame, as do the Temple of Luxor and the Great Pyramid.